Sản xuất phim & quảng cáo, trọn vẹn đến bản final.

Every project is scoped line by line, but as a guide: a single-day brand film or social commercial sits at the lower end; a multi-day TVC with casting, art department and licensed music sits higher. You get an itemised quote within one business day of a brief. Because the studio and the camera department are ours, there is no third-party rental margin — Da Nang budgets typically land well under Saigon or Hanoi rates for the same finish.

A social-first commercial: two to three weeks from brief to delivery. A full TVC: four to six weeks — one to two weeks of pre-production, one to three shoot days, and two to three weeks of post. Tight launch date? Tell us at the brief — rush timelines are possible when the edit is planned at the storyboard stage.

A graded 4K–6K master plus the cutdowns your media plan needs: 16:9, 9:16, 1:1 and 4:5 versions, 6s/15s/30s edits, bilingual English–Vietnamese subtitles, and broadcast-safe or social-optimised exports. We capture RAW/Log, so the material can be re-graded and re-versioned for future campaigns.

You receive full usage rights for the channels and term agreed in the contract, with a perpetual buyout available. Raw footage can be archived or handed over to your storage on request — your campaign, your material.

Two structured rounds at the offline edit and one at finishing (grade, sound, graphics). Clear feedback windows keep the timeline honest; additional rounds are quoted per hour up front — never sprung on the invoice.

Constantly. Hội An, Huế, Quảng Nam and the Central Vietnam coast are home turf, and we travel country-wide with our own gear. Location scouting, permits and a fixer are part of pre-production, not an extra you have to arrange.

Yes — an English-speaking producer leads the project, treatments and call sheets are written in English, and remote review links let you approve cuts from anywhere. We also offer full production service for foreign teams shooting in Vietnam: locations, permits, casting, gear and crew, one contact.

Our own rental house: RED KOMODO X, Blackmagic PYXIS 6K and Pocket Cinema line, the Sony FX series, cinema glass from Laowa, DZOFilm and Pictor, Aputure lighting and DJI movement tools. Owning the equipment means the budget buys the shot — not a middleman.